Censorship destroys creativity.
At the Academy Awards ceremony in the United States on February 9, 2020, South Korea's film, Parasite, won Best Picture of 2019. Filmed in black and white with sub-titles U.S. movie audiences had to read as they watched the movie. Yet Parasite bested eight English-speaking films in color. The film also won Best Original Screenplay. Bong Joon Ho, who was one of the screenplay's writers, also won Best Director. Although the wife of North Korea's Kim Jong Un is a singer, she was never considered as one of the possible voices chosen to sing, in her native tongue, the nominated song from Frozen at the Academy Awards.
Nor can China brag about any international film accolades. In 2016 China's wealthy Danan Wanda Group constructed an $8 billion complex to attract international movie-makers to the coastal city of Qingdao. Despite offering generous financial incentives, the project is not a success. Censorship by China's State Administration of Press Publications, Radio, Film and Television proved to be incompatible with the creative process.
South Korea offers North Korea a way to escape the Chinese film censorship trap. Missiles and nuclear weapons attract international attention, but so does a blockbuster film. North Korea is lucky to have a prize-winning movie-making community of educators available next door. Those trouble-making North Koreans locked away in the country's concentration camps may be just the creative talent that could net Kim Jong Un and his wife tickets to an Academy Awards celebration and positive international attention for North Korea.
Showing posts with label Academy Awards. Show all posts
Showing posts with label Academy Awards. Show all posts
Monday, February 10, 2020
Thursday, February 21, 2019
Winning Oscars and Making Money at the Movies
Oscar-nominated films highlight the international contributions of the movie industry's directors, actors, and technical experts. This year, on Sunday, Feb. 24, a film-maker from Mexico, Alfonso Cuaron, or Pawel Paiolikowski from Poland could win two Academy Awards, one for best director and the other for best foreign language film.
As in the past, international filmmakers frequently are nominated in the categories: animated and live action shorts. These movies are not shown in many movie theatres, and that is not a loss this year, because, except for two films, they portray depressing themes not suitable for young audiences. Adults and children would enjoy the funny Animal Behavior, however. In this Canadian entry, a dog psychiatrist tries to cure a pig, praying mantis, bird, and other animals of their most annoying habits. A gorilla with anger management issues takes exception to the person in front of him in the "10 or Less" line who wants to count the five bananas in his one bunch separately. He reacts by tearing up her bag of frozen peas and says, "Now, you have a thousand."
Children already may have seen the Oscar-nominated Bao, a Chinese word for dumpling, that Pixar screened before Incredibles 2. On her second try, Bao's director, Domee Shi, was hired by Pixar as an intern. She is now the first female director in its shorts department. At age two, Ms. Shi migrated with her family from Chongqing, China, to Toronto, Canada. Her father, a college professor of fine art and landscape painter, recognized her talent for drawing, and her mother's dumplings sparked the idea of using food as an entry into understanding another culture. Japanese anime films and manga comics and graphic novels also inspired Ms. Shi, as well as the Mexican theme of the animated feature, Coco, that won an Academy Award last year.
China is among the growing number of countries joining Hollywood, India's Bollywood, and Nigeria's Nollywood in the film and music video industries. By 2019, however, authoritarian control by Chinese authorities was causing film investors to flee. On the other hand, filmmakers in Nigeria aided government efforts, when suspicious circumstances delayed a presidential election in Nigeria. A drone camera was deployed to record singing Nigerian film stars urging voters to remain cool in a video shown on social media. Off the east coast on the other side of Africa, the island of Mauritius is using the advantage of year round good weather to attract job-creating firm-makers.
Chinese billionaire Wang Jianlin of the Dalian Wanda Group had high hopes for the 400-acre, 30 sound stage, $8 billion Oriental Movie Metropolis he opened in the east coast port city of Qingdao three years ago. Although offering to pay film-makers 40% of their production costs, producers were wary of censoring by China's State Administration of Press Publications, Radio, Film and Television. Other setbacks included: the failure of China's big budget film tribute to Tibetan mythology, Asura; social media references to Chinese President Xi's resemblance to Disney's Winnie the Pooh; and the ill-advised joint U.S.-Chinese film, Great Wall, starring Matt Damon as a mercenary soldier fighting with a secret Chinese army defending the Great Wall of China from monsters.
Recent films produced for China's domestic market are generating higher box office returns. Dying to Survive opened with a $200 million weekend by telling the story of Lu Yong, who took on the high Chinese prices of Western medicine by importing illegal cancer drugs from India. The Wandering Earth, a sci-fi thriller about the expanding sun's threat to Earth, trapped in Jupiter's gravitational pull, netted $440 million during the first ten days of China's New Year of the Pig. By downplaying its Warner Bros. connection, the U.S.-Chinese co-production, The Meg, a film about a deep sea diver who saved a submersible disabled by a prehistoric Megalodon shark, earned $528 million globally.
As in the past, international filmmakers frequently are nominated in the categories: animated and live action shorts. These movies are not shown in many movie theatres, and that is not a loss this year, because, except for two films, they portray depressing themes not suitable for young audiences. Adults and children would enjoy the funny Animal Behavior, however. In this Canadian entry, a dog psychiatrist tries to cure a pig, praying mantis, bird, and other animals of their most annoying habits. A gorilla with anger management issues takes exception to the person in front of him in the "10 or Less" line who wants to count the five bananas in his one bunch separately. He reacts by tearing up her bag of frozen peas and says, "Now, you have a thousand."
Children already may have seen the Oscar-nominated Bao, a Chinese word for dumpling, that Pixar screened before Incredibles 2. On her second try, Bao's director, Domee Shi, was hired by Pixar as an intern. She is now the first female director in its shorts department. At age two, Ms. Shi migrated with her family from Chongqing, China, to Toronto, Canada. Her father, a college professor of fine art and landscape painter, recognized her talent for drawing, and her mother's dumplings sparked the idea of using food as an entry into understanding another culture. Japanese anime films and manga comics and graphic novels also inspired Ms. Shi, as well as the Mexican theme of the animated feature, Coco, that won an Academy Award last year.
China is among the growing number of countries joining Hollywood, India's Bollywood, and Nigeria's Nollywood in the film and music video industries. By 2019, however, authoritarian control by Chinese authorities was causing film investors to flee. On the other hand, filmmakers in Nigeria aided government efforts, when suspicious circumstances delayed a presidential election in Nigeria. A drone camera was deployed to record singing Nigerian film stars urging voters to remain cool in a video shown on social media. Off the east coast on the other side of Africa, the island of Mauritius is using the advantage of year round good weather to attract job-creating firm-makers.
Chinese billionaire Wang Jianlin of the Dalian Wanda Group had high hopes for the 400-acre, 30 sound stage, $8 billion Oriental Movie Metropolis he opened in the east coast port city of Qingdao three years ago. Although offering to pay film-makers 40% of their production costs, producers were wary of censoring by China's State Administration of Press Publications, Radio, Film and Television. Other setbacks included: the failure of China's big budget film tribute to Tibetan mythology, Asura; social media references to Chinese President Xi's resemblance to Disney's Winnie the Pooh; and the ill-advised joint U.S.-Chinese film, Great Wall, starring Matt Damon as a mercenary soldier fighting with a secret Chinese army defending the Great Wall of China from monsters.
Recent films produced for China's domestic market are generating higher box office returns. Dying to Survive opened with a $200 million weekend by telling the story of Lu Yong, who took on the high Chinese prices of Western medicine by importing illegal cancer drugs from India. The Wandering Earth, a sci-fi thriller about the expanding sun's threat to Earth, trapped in Jupiter's gravitational pull, netted $440 million during the first ten days of China's New Year of the Pig. By downplaying its Warner Bros. connection, the U.S.-Chinese co-production, The Meg, a film about a deep sea diver who saved a submersible disabled by a prehistoric Megalodon shark, earned $528 million globally.
Tuesday, February 6, 2018
February's International Film Festival
One of the most pleasant ways to learn about a country is to go to a movie made in or about somewhere you don't live. When Oscar nominations for short and feature films are announced, it's time to start looking for theatres that show them, because many of these potential Academy Award winners have an international connection.
This year, in the animated shorts category, South Africa presents Revolting Rhymes based on Ronald Dahl's dark spin on fairy tales. One French short, Negative Space, shows a sad relationship between father and son can exist in any culture, and, in another French short, two amphibians explore a deserted mansion. These shorts are shown together with two U.S. films: the Pixar short, Lou, that ran before Cars and Kobe Bryant's retirement letter, Dear Basketball.
Since the live action shorts nominated for Oscars often portray news events, they can be a pleasant way to see both uplifting and unpleasant aspects of a country. Watu Wote (All of Us) shows how Muslims risked their lives to protect the Christians riding on a bus with them, when Islamic terrorists attacked in Kenya. The British short, The Silent Child, introduces the social worker who taught a deaf 4-year-old girl the sign language that enabled her to come out of the shadows and be included in family conversations. Two U.S. entries cover a school shooting in Atlanta titled DeKalb Elementary and My Nephew Emmett based on the 1955 racist murder of Emmett Till. Australian humor is on display in The Eleven O'Clock, a short about an appointment between a psychiatrist and patient that try to treat each other.
Families already may have seen the animated feature, Coco, which has a Mexican theme depicting how a death in the family shouldn't end memories of a relative. Loving Vincent probably won't have wide distribution, but if young people have a chance to see this Polish-British feature, it might be their only time to see a movie where each frame about Vincent Van Gogh is made by an oil painting. Since Angelina Jolie produced The Breadwinner, this animated feature likely has wider distribution. It shows how an 11-year-old girl disguised herself as a boy to grow up with more opportunities under the Taliban in Afghanistan.
Although too advanced to be appropriate or understood by young people, the live action foreign language films nominated for Academy Awards provide adults with points of view from Chile (A Fantastic Woman), Lebanon (The Insult), Russia (Loveless), Hungary (On Body and Soul), and Sweden (The Square).
Oscar winners will be announced on Sunday, March 4, 2018.
This year, in the animated shorts category, South Africa presents Revolting Rhymes based on Ronald Dahl's dark spin on fairy tales. One French short, Negative Space, shows a sad relationship between father and son can exist in any culture, and, in another French short, two amphibians explore a deserted mansion. These shorts are shown together with two U.S. films: the Pixar short, Lou, that ran before Cars and Kobe Bryant's retirement letter, Dear Basketball.
Since the live action shorts nominated for Oscars often portray news events, they can be a pleasant way to see both uplifting and unpleasant aspects of a country. Watu Wote (All of Us) shows how Muslims risked their lives to protect the Christians riding on a bus with them, when Islamic terrorists attacked in Kenya. The British short, The Silent Child, introduces the social worker who taught a deaf 4-year-old girl the sign language that enabled her to come out of the shadows and be included in family conversations. Two U.S. entries cover a school shooting in Atlanta titled DeKalb Elementary and My Nephew Emmett based on the 1955 racist murder of Emmett Till. Australian humor is on display in The Eleven O'Clock, a short about an appointment between a psychiatrist and patient that try to treat each other.
Families already may have seen the animated feature, Coco, which has a Mexican theme depicting how a death in the family shouldn't end memories of a relative. Loving Vincent probably won't have wide distribution, but if young people have a chance to see this Polish-British feature, it might be their only time to see a movie where each frame about Vincent Van Gogh is made by an oil painting. Since Angelina Jolie produced The Breadwinner, this animated feature likely has wider distribution. It shows how an 11-year-old girl disguised herself as a boy to grow up with more opportunities under the Taliban in Afghanistan.
Although too advanced to be appropriate or understood by young people, the live action foreign language films nominated for Academy Awards provide adults with points of view from Chile (A Fantastic Woman), Lebanon (The Insult), Russia (Loveless), Hungary (On Body and Soul), and Sweden (The Square).
Oscar winners will be announced on Sunday, March 4, 2018.
Sunday, April 26, 2015
Fashion's Open Door
Two ideas Robin Givhan presents in her new book, The Battle of Versailles, should encourage designers in lesser developed countries to enter the fashion industry. She traces the history of fashion from one-of-a-kind haute couture styles dictated by the French monarchy to ready-to-wear separates women find practical and a freeing way to express their own style. The fashion industry Givhan describes today is: 1) a global business and 2) in a constant state of flux. The earlier blog post, "The World of Fashion," already mentioned designers in China, Brazil, Sri Lanka, and Bangladesh, as well as France, the UK, Germany, USA, and Japan.New designers have a wide open opportunity to introduce their own new looks. Earlier blog posts mention jewelry makers (See "Fashion Forward.") and textile weavers (See "International Fashion Designers Find Consumer Niches," "Fashion As a Cottage (and Sustainable) Industry," and "The Continuing Battle of Good and Evil.") who are uniquely suited to work together to create coordinating pieces, such as the Versace-designed emerald green necklace and gown Scarlett Johansson wore to the 2015 Academy Awards or the geometric necklace Project Runway finalist, Amanda Valentine, created to complement her color-blocked maxi dress. Chico's, the retailer known to feature jewelry inspired by the clothes it sells, might be ready to feature just such items.
Taaluma (a Swahili word meaning "profession") is a company that has combined travel and fashion. On trips to Guatemala, Indonesia, Mali, Bhutan, and Nepal (recently suffering from a major earthquake), explorers from Taaluma (carryacountry.com): 1) purchased traditional fabrics, 2) made these textiles into backpacks, and 3) donated a portion of the proceeds back to the countries' organizations.
Fashion also has become interested in protecting the planet. In order to use less water and fossil fuel to produce and transport goods in the entire supply channel, new items are being recycled out of old ones. The earlier blog post, "Recycled Fashion Firsts," reported how, for example, the fence that once imprisoned Nelson Mandela in South Africa had been made into jewelry.
T-shirts, bracelets, and a variety of fashion items are now used to support causes (See the blog post, "North Pole Flag."), and, despite continuing problems in countries such as Bangladesh, organizations like the Natural Resources Defense Council have been formed to make sure artisans, cottage industries, and employees in lesser developed countries work in safe/healthy conditions and are fairly compensated.
In The Battle of Versailles, Givhan writes that designers design from what they come from. Nowadays, that can be any country or culture in the world.
Thursday, February 5, 2015
See the World in Oscar-Nominated Films
In 2016, Oscars continued to honor a variety of countries at the Academy Awards ceremony on February 28. I'll just name the countries of those I remember who were involved in honored films: Mexico, Chile, Hungary, Israel, Italy, the UK, and Pakistan.
Before the Academy Awards presentations on February 22, 2015, movie theatres began to show the Live Action and Animated Shorts nominated for Oscars. Last year these shorts gave kids a chance to see life in foreign countries.
"Butter Lamp" showed the reactions of Tibetan nomads as they had their pictures taken, not by selfies, but by a professional photographer who provided various backdrops showing sites in China.
"Boogaloo and Graham" captured the reactions of a mother and two boys in Northern Ireland who took care of the chicks their father gave them during the Troubles.
In "Parvaneh" (a Persian name meaning "Butterfly"), when an Afghan girl seeking asylum in Switzerland enlisted the aid of a local girl, Emely, to help her send money to her family, she encountered lots of red tape and learned girls in different countries with very different lifestyles can be friends.
A live action short, "My Father's Truck," that didn't quite make the cut to receive an Oscar nomination, showed how family members can live very different lives. When a girl in Vietnam skipped school one day, she found out her life as a school girl was a lot easier than what her father did transporting passengers in his truck. The Chinese father in "Carry On," a film also on a short list of possible Oscar-nominated movies, sacrificed his life to save his family during the Japanese invasion in World War II.
Some films might show how kids in other countries experience the same things as they do.
One child's parents can be very different from another child's, as a Norwegian 7-year-old-girl and her sisters learn when they request a bicycle from their hippie parents in "Me and My Moulton," an animated short nominated for an Oscar.
"Baghdad Messi," a live action short considered for an Oscar, showed how kids in Iraq, even those with only one leg, love soccer as much as kids in other countries.
"Summer Vacation," an Israeli short considered for an Oscar, may remind kids that every family vacation to a beautiful beach doesn't always go as planned.
And "Symphony No. 42," an animated short from Hungary that was considered for an Oscar, even notices the similarities between the activities that humans and animals perform. Music in this film includes bird and jungle sounds from Sri Lanka.
Considering the full-length, Oscar-nominated, foreign language films from Poland (Ida), Russia (Leviathan), Estonia (Tangerines), Mauritania (Timbuktu), and Argentina (Wild Tales), making and viewing movies are popular activities all over the world.
Before the Academy Awards presentations on February 22, 2015, movie theatres began to show the Live Action and Animated Shorts nominated for Oscars. Last year these shorts gave kids a chance to see life in foreign countries.
"Butter Lamp" showed the reactions of Tibetan nomads as they had their pictures taken, not by selfies, but by a professional photographer who provided various backdrops showing sites in China.
"Boogaloo and Graham" captured the reactions of a mother and two boys in Northern Ireland who took care of the chicks their father gave them during the Troubles.
In "Parvaneh" (a Persian name meaning "Butterfly"), when an Afghan girl seeking asylum in Switzerland enlisted the aid of a local girl, Emely, to help her send money to her family, she encountered lots of red tape and learned girls in different countries with very different lifestyles can be friends.
A live action short, "My Father's Truck," that didn't quite make the cut to receive an Oscar nomination, showed how family members can live very different lives. When a girl in Vietnam skipped school one day, she found out her life as a school girl was a lot easier than what her father did transporting passengers in his truck. The Chinese father in "Carry On," a film also on a short list of possible Oscar-nominated movies, sacrificed his life to save his family during the Japanese invasion in World War II.
Some films might show how kids in other countries experience the same things as they do.
One child's parents can be very different from another child's, as a Norwegian 7-year-old-girl and her sisters learn when they request a bicycle from their hippie parents in "Me and My Moulton," an animated short nominated for an Oscar.
"Baghdad Messi," a live action short considered for an Oscar, showed how kids in Iraq, even those with only one leg, love soccer as much as kids in other countries.
"Summer Vacation," an Israeli short considered for an Oscar, may remind kids that every family vacation to a beautiful beach doesn't always go as planned.
And "Symphony No. 42," an animated short from Hungary that was considered for an Oscar, even notices the similarities between the activities that humans and animals perform. Music in this film includes bird and jungle sounds from Sri Lanka.
Considering the full-length, Oscar-nominated, foreign language films from Poland (Ida), Russia (Leviathan), Estonia (Tangerines), Mauritania (Timbuktu), and Argentina (Wild Tales), making and viewing movies are popular activities all over the world.
Friday, February 22, 2013
See the World at the Movies
Not every film that provides a glimpse of a foreign country or culture is a child friendly "Sound of Music." But it is worth screening new movies and animated features to find a "Brave" that introduces children to different countries.In fact, an amazing number of countries have been featured in Oscar-winning films: "ARGO" (Iran), "The King's Speech" (United Kingdom), "The Hurt Locker" (Iraq), "Slumdog Millionaire" (India), "Braveheart" (Scotland), "Schindler's List" (Poland), "The Last Emperor" (China), "Gandhi" (India).
The Academy Awards also honor the best foreign language films. The 2011 winner, "A Separation" from Iran, provided positive recognition to a country sanctioned for its nuclear program and scorned in ARGO for holding U.S. citizens hostage. The director of the 2012 best foreign language winner, "Amour," is from Austria.
Like foreign language films, animated and live action short subjects don't have wide-spread distribution, but, if they are shown locally, they can give youngsters insight into the lives of children in other countries. In "Asad," one of the 2012 live action nominees, we saw Somali children dealing with their dysfunctional world, and in another 2012 nominee, "Buzkashi Boys" opened our eyes to the limited opportunities for young boys in Afghanistan.
Perhaps the best impact a film can have on a child is the realization that, not only can foreign be fun, but humor also can expose the foolishness of a situation by looking at it differently, the way a live action short about Rwanda's bloody Hutu-Tutsi struggle did a couple of years ago.
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