Oscar-nominated films highlight the international contributions of the movie industry's directors, actors, and technical experts. This year, on Sunday, Feb. 24, a film-maker from Mexico, Alfonso Cuaron, or Pawel Paiolikowski from Poland could win two Academy Awards, one for best director and the other for best foreign language film.
As in the past, international filmmakers frequently are nominated in the categories: animated and live action shorts. These movies are not shown in many movie theatres, and that is not a loss this year, because, except for two films, they portray depressing themes not suitable for young audiences. Adults and children would enjoy the funny Animal Behavior, however. In this Canadian entry, a dog psychiatrist tries to cure a pig, praying mantis, bird, and other animals of their most annoying habits. A gorilla with anger management issues takes exception to the person in front of him in the "10 or Less" line who wants to count the five bananas in his one bunch separately. He reacts by tearing up her bag of frozen peas and says, "Now, you have a thousand."
Children already may have seen the Oscar-nominated Bao, a Chinese word for dumpling, that Pixar screened before Incredibles 2. On her second try, Bao's director, Domee Shi, was hired by Pixar as an intern. She is now the first female director in its shorts department. At age two, Ms. Shi migrated with her family from Chongqing, China, to Toronto, Canada. Her father, a college professor of fine art and landscape painter, recognized her talent for drawing, and her mother's dumplings sparked the idea of using food as an entry into understanding another culture. Japanese anime films and manga comics and graphic novels also inspired Ms. Shi, as well as the Mexican theme of the animated feature, Coco, that won an Academy Award last year.
China is among the growing number of countries joining Hollywood, India's Bollywood, and Nigeria's Nollywood in the film and music video industries. By 2019, however, authoritarian control by Chinese authorities was causing film investors to flee. On the other hand, filmmakers in Nigeria aided government efforts, when suspicious circumstances delayed a presidential election in Nigeria. A drone camera was deployed to record singing Nigerian film stars urging voters to remain cool in a video shown on social media. Off the east coast on the other side of Africa, the island of Mauritius is using the advantage of year round good weather to attract job-creating firm-makers.
Chinese billionaire Wang Jianlin of the Dalian Wanda Group had high hopes for the 400-acre, 30 sound stage, $8 billion Oriental Movie Metropolis he opened in the east coast port city of Qingdao three years ago. Although offering to pay film-makers 40% of their production costs, producers were wary of censoring by China's State Administration of Press Publications, Radio, Film and Television. Other setbacks included: the failure of China's big budget film tribute to Tibetan mythology, Asura; social media references to Chinese President Xi's resemblance to Disney's Winnie the Pooh; and the ill-advised joint U.S.-Chinese film, Great Wall, starring Matt Damon as a mercenary soldier fighting with a secret Chinese army defending the Great Wall of China from monsters.
Recent films produced for China's domestic market are generating higher box office returns. Dying to Survive opened with a $200 million weekend by telling the story of Lu Yong, who took on the high Chinese prices of Western medicine by importing illegal cancer drugs from India. The Wandering Earth, a sci-fi thriller about the expanding sun's threat to Earth, trapped in Jupiter's gravitational pull, netted $440 million during the first ten days of China's New Year of the Pig. By downplaying its Warner Bros. connection, the U.S.-Chinese co-production, The Meg, a film about a deep sea diver who saved a submersible disabled by a prehistoric Megalodon shark, earned $528 million globally.
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